
The problem with
most sequels or chapter 2's (tagged knowingly as The Terrible 2s within
the industry) of popular movies is not only that they aren't nearly
as vibrant as their inspiration but are often little more than retreads
of the original. They could not exist or be comprehended without an
earlier, inspired offering.
2 Fast 2 Furious
does not fall into that trap. While several characters from The
Fast and the Furious reappear and reference is made to a story
element of that film, the new entry can stand on its own and be appreciated
without knowledge or viewing of the cutting edge prior feature.
But to what end?
The new film
almost systematically wrings out every drop of originality of F &
F and replaces it with cliché and convention. If truth in advertising
were possible it would be more appropriately dubbed 2 Banal 2 Predictable.
Its organic soundtrack has been replaced with cookie cutter music
and pop tunes; the high octane races have been redeployed as arcade
thrill rides; and the other race card - formerly street smart - now
has the friendly feel of cushy call backs from central casting.
The opening frames
immediately eschew any sense of authenticity. A late night street
race squeals and careens through studio sets and culminates with the
winner, Brian O'Conner (Paul Walker), chased and apprehended
by the local cops. It's only in the light of day that we learn the
former undercover cop was busted from the force for allowing his target
to flee and that he and the race have been transplanted to Miami.
From that starting
point, the film segues into the sort of phony baloney plot familiar
from countless TV cop skeins. The FBI descends (along with his former
LAPD cohort) and will drop all charges if O'Conner agrees to do runs
and get hard evidence against local drug czar Verone (Cole Hauser).
His acquired skill behind the wheel and the fact their mole (Eva
Mendes) has gotten very close to the kingpin should make for a
smooth ride.
O'Conner signs on only if he can pick his co-driver. The FBI reluctantly
cave to the demand and the ex-cop heads to his former stomping grounds
of Barstow, Ca. to enlist childhood buddy and current parolee Roman
Pearce (Tyrese). The twist here is that Pearce blames his former
pal for his bust and, after a not very convincing dust up, also reluctantly
takes the job to clear his record.
It would be near
impossible to bring something fresh from such a stale tale and neither
director John Singleton nor his screenwriters prove up to the
daunting challenge. In large part, the blame for 2 Fast 2 Furious
going so decidedly off track has to be placed at the feet of producer
Neil Moritz who did not or could not convince a significant number
of the creative force from the first picture to reprise their roles.
The new crew
falls considerably short of providing the canniness or invention of
F & F, opting for lame humor and convenient plot turns to pave
over the hoary script. However, Singleton lacks the acumen to rev
up the pace, down shifting with 2 many close-ups and decelerating
asides to mask the thin narrative and lackluster direction of action
sequences.
Rather than a
Vroom with a view, the new film evolves as a pale buddy movie in which
Walker and Tyrese are Butch and Sundance in arrested development with
Mendes vainly attempting to keep them in balance. It's also in need
of a better-conceived villain and 2 many other things to belabor 2
many shortcomings. There's no way to win the race when you're driving
in 2nd gear.
A Universal
Pictures release of a Neil H. Moritz production. Produced by Moritz.
Director, John Singleton. Screenplay, Michael Brandt, Derek Haas;
story, Brandt, Haas and Gary Scott Thompson. Camera, Matthew Leonetti.
Editors, Bruce Cannon, Dallas Puett. Music, David Arnold. Production
design, Keith Brian Burns. Costumes, Sanja Milkovic Hays. Stunt coordinator,
Artie Malesci. Technical advisor, Craig Lieberman.
Paul Walker (Brian O'Connor), Tyrese (Roman Pearce), Eva Mendes (Monica
Fuentes), Cole Hauser (Carter Verone), Chris "Ludacris"
Bridges (Tej), Thom Barry (Agent Bilkins), James Remar (Agent Markham),
Devon Aoki (Suki).
Reviewed:
June 5, 2003
-
by Leonard Klady